At Fish Blowing Bubbles, we guide the realization of visions for cinematic narratives from start to finish. Our highly creative team works closely with our clients to understand their visions and bring them to life. From concept and script development to production, editing and post-production, we work alongside our clients to create an immersive cinematic experience. We place great importance on making the entire process seamless and effective
to bring our clients' visions to life.
Bei Fish Blowing Bubbles begleiten wir die Umsetzung von Visionen für filmische Erzählungen von Anfang bis Ende Unser hochkreatives Team arbeitet eng mit unseren Kunden zusammen, um ihre Visionen zu verstehen und sie zum Leben zu erwecken.
Bei Fish Blowing Bubbles begleiten wir die Umsetzung von Visionen für filmische Erzählungen von Anfang bis Ende Unser hochkreatives Team arbeitet eng mit unseren Kunden zusammen, um ihre Visionen zu verstehen und sie zum Leben zu erwecken.
Together we weave a magical web of stories and characters. Animation offers these unlimited possibilities. From concept and script development to production, editing and post-production, we work alongside our clients to create an immersive cinematic experience. We place great importance on making the entire process seamless and effective to bring our clients' visions to life.
“Granny is the best. While Mary’s home life is ruled by two older brothers, football and ready meals, she shares her grandmother’s rebellious spirit and love of home cooking. But the happy, carefree days in the kitchen with Granny are drawing to a close. ”
„Among the several animated features making a big impression at the Berlin Film Festival this month (Feb 16-26) is A Greyhound of a Girl, which is based on a novel by acclaimed Irish writer Roddy Doyle. Directed by veteran Italian director Enzo D’Alo (Pinocchio, Lucky and Zorba), the film centers on an 11-year-old Dublin girl who shares a pivotal car journey with her mother and her ailing grandmother."
“Directed by Enzo d’Alò, Greyhound of a Girl is an adaptation of Roddy Doyle’s children’s book about a 12-year-old girl and her beloved, joke-cracking grandmother who is nearing the end of her life. In addition to Gleeson and Horgan, the film’s voice talents include Mia O’Connor, Charlene McKenna, and Rosaleen Linehan.”
Storyboard creation is an essential step in the pre-production of animated and feature films. Visual sequences are sketched out to represent the plot, camera movements and character interactions. It allows the team to get an idea of the narrative structure. It also guides for the later stages of production by providing a basic blueprint for the movie.
Artists create visual concepts and designs for characters, environments and props, which serve as a source of inspiration. Concept art is a guideline in the subsequent animation process.
Digital models around characters, objects in environments serve as the basis for the subsequent animation.
Previs, or pre-visualization, is a crucial tool in the pre-production of animated films for cinema and TV. It enables the creation of preliminary digital drafts that show the planned camera work, character movements and the sequence of scenes.
Once the characters are rigged, our animators infuse vitality into them by bringing them to life across all scenes, adhering to the pre-visualization and storyboard. This is the stage where the film genuinely springs to life and becomes poised for the editing phase.
The On-Set VFX supervisor´s tasks cover several key aspects to ensure that the visual elements are seamlessly integrated into the filming process.
In the production phase, computer-generated environments (CG environments) play a crucial role in the design of visual elements for films, series or other audiovisual projects. The integration of CG environments is carried out under the guidance of professionals, such as the CG Supervisor, to ensure that the digital world blends seamlessly with the real environment.
Lighting in production is a decisive factor for the visual aesthetics and atmosphere of a film or video project. Lighting plays a central role in creating moods, emphasizing details and influencing the overall effect of the scenes.
Computer-generated effects (CG effects) play a crucial role in film production and enable the creation of impressive visual elements that would be difficult or impossible to realize in the real world. This digital technology is used to expand scenes, create fantastic worlds, perform realistic simulations and much more.
Film post-production rendering refers to the process of generating the final images or frames of a film after all the editing, effects, and enhancements have been applied to the raw footage. Rendering involves converting the digital assets, such as computer-generated imagery (CGI), special effects, animations, and edited scenes, into the final visual output. The rendering process can be computationally intensive, especially for high-resolution films with complex visual effects. It involves rendering each frame of the film to produce the final sequence.
In film post-production, compositing is a crucial stage in the rendering process where various visual elements—such as live-action footage, computer-generated imagery (CGI), special effects, animations, and other assets—are combined or composited together to create the final frames or sequences. Compositing involves layering, blending, and integrating different elements to form a cohesive and visually engaging output.